Fitz mainly works in the field of sculpture and installation often in reference to industrial processes and architecture.

The physical engagement of the body is notably present in her practice where traces and props of making draw the viewer into an exploration of the work. She often uses and adapts traditional processes such as mould making, casting and plaster turning to create and activate sculptural form. Through the use of these techniques, objects are constantly flipped, copied, mirrored, turned and mutated as if pushed through a metamorphosis.

Fitz questions the hierarchy and value of objects in a mass-produced and highly globalised world and imports jigs, tools and moulds into the exhibition space. By exposing instead of hiding the practicalities of making she pushes the act of manual work into the exhibition space to bring the intimacy of the studio into contact with the audience.

In installation, the sculptures are in conversation with the space. Sometimes the work functions as a sort of prosthesis, whereas other times objects of space are decontextualised. Her work challenges the vision and understanding of our environment, offering a new reading of how it could be animated, changed, or extended into something else.

Her photographic work looks at issues surrounding the changes, phenomenon and structures that we find within the city and how they affect our coexistance within urban space.